CHILDREN OF ZEUS
Children of Zeus is a living exhibition that reimagines human relations with the body, nature, technology, and spirituality through a queer, decolonial lens. In this world drawing from Greek mythology, Zeus represents the dominant patriarchal order—while his "children" embody a new generation moving beyond binaries, fixed identities, and colonial structures. This project transforms mythology into a living landscape that explores queer ecology.
Robin Nimanong and Valentina Gal, two artists deeply engaged with the relationship between nature and the digital, create an immersive space where sculpture, installation, body and performance merge into a symbiotic dialogue.
This living exhibition builds on Valentina's earlier work Troubled Waters (2024), where 3D-printed water lilies floated in a digital-physical basin and continues the exploration of ecological tension and digital "authenticity." It also draws from Nimanongs 'Cyborg DNA' (2023 in collaboration with Lux Nautilus), which investigated technology through the lens of queer ecology (Donna Haraway).
With this background knowledge, Children of Zeus stages the body as a site of resistance and transformation—supported by queer theory, BIPOC perspectives, and meditation. Nimanong previous work experience with Marina Abramovic (2024), serves as inspiration. Addressing themes like presence and the unlimited body and mind. Ultimately, Children of Zeus is an intuitive journey; an embodied call towards a more fluid future, questioning western culture and lifestyle. Friction created by the forgotten knowledge of the past stands in direct opposition to the emerging biology of the technological human (decolonization and diaspora).
